| Florian Cramer on Mon, 28 Sep 2015 02:55:38 +0200 (CEST) |
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| Re: <nettime> VW |
It'll be very interesting indeed to hear what the stars of ~German
media theory have to say about this. Maybe about as much as most US
academics have to say about their role in imposing indentured
servitude on subsequent generations...
The German state of Lower Saxony owns more than 20% of Volkswagen
stock, a legacy from the Third Reich when the company was founded on
Hitler's order and owned by the NSDAP's labor organization. The
Volkswagen Endowment, whose sole purpose is the funding of academic
research, was created with the money that Lower Saxony and the federal
government of Germany made when 80% of the company went public after
WWII. As far as I know, all profits that the state of Lower Saxony
makes from its remaining 20% share go into the endowment. And, Leuphana
is a state university of Lower Saxony. - Whatever one may object to
these close ties between state and industry (described as "state
monopoly capitalism" by some Marxists), it also has some social
advantages when companies are partially owned by the public and their
profits go into financing public research and tuition-less public
education.
There are other aspects in German media theory, cultural studies and
humanities academia that I find by far more objectionable. For example,
how the more or less biggest names of German media theory and cultural
studies - Friedrich Kittler, Peter Sloterdijk, Horst Bredekamp, Hans
Belting - got in bed with Germany's yellow press tycoon Hubert Burda
(owner of Hubert Burda Media, publisher of among others "Bunte",
"Focus", "Super-Illu", the German "Playboy" and minority shareholder of
German tv station RTL2) for Burda's conferences and publications on the
"iconic turn", as documented on the website
http://www.iconicturn.de. (The website itself is run by the Hubert
Burda Foundation.) For those who can read German:
http://www.welt.de/print/die_welt/kultur/article10863152/Bilder-rasc
heln-nicht.html . Quick translation of the second paragraph:Â
"Bazon Brock isn't Hubert Burda's only dialogue partner and
intellectual friend. Peter Sloterdijk, Friedrich Kittler, Horst
Bredekamp, Wolfgang Ullrich, Hans Belting are also part of the circle;
top-notch art historians and cultural analysts, and reliable
contributors to academic criticism. In Karlsruhe, where Burda's book
was presented, they all sat in a half circle, an honorable club of men.
It was quite touching how politely they all demonstrated their respect
for the author. Wolfgang Ullrich, wonderfully insubordinate younger
generation art historian, called his colleague, the Ph.D. art historian
Hubert Burda, an 'embedded scientist' who had managed to infiltrate the
business world for espionage work. Horst Bredekamp, wonderfully
down-to-the-earth mid-career art historian, showed a reproduction of a
'Hörzu' (German 'TV Guide') double page to praise its structured view
on the world of television."Â
- Regarding jaromil's objection that firmware (especially of critical
technical devices) should be Open Source: yes, but this won't be
enough. Volkswagen could have released its firmware in 2005 as Free
Software/Open Source with the manipulation code cleverly obfuscated,
speculating on the fact that the release would have remained relatively
low profile (as opposed to popular Open Source software like, for
example, Apache or the Linux kernel, which passes hundreds of critical
eyes every day). For sure, the odds of discovery would still have been
better then. But what's really needed are mandatory independent code
audits for firmware - similar to the approval procedures for medical
drugs. If such policies were in place, they also would have huge
implications for the so-called "Internet of Things".
-F
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